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January 12, 2014

Walk About Photography with an Ultra Wide Zoom by Kevin Ames

I carry a camera pretty much every where I go. At the very least I have one in my car. When I travel out of my home base of Atlanta, Georgia the kit is a bit more than just a camera. Walking about a new place requires a bit more gear than the camera. It’s important that there is not too much gear. To limit what I carry on any urban adventure I begin with the Think Tank Street Walker backpack. The smallest version. If you pack for every possible shooting situation, you’ll be dog tired by noon. So the first rule for urban adventure photography is “Think small.”

Lenses

Normally I travel with a Canon 5DMk2. On walk abouts, I leave the battery grip in the hotel. Sigma is my lens provider of choice. I carry three lenses—a 12-24mm f/4.5 – f/5.6 DG HSM II, a 24-70mm f/2.8 IF EX DG HSM, a 70-200mm f/2.8 EX DG OS HSM and a 2X teleconverter. This covers practically any situation I might encounter. Usually, not always though, I keep the 12 to 24mm on the camera. That’s the lens I’m using for this post. If you shoot a cropped sensor check out Sigma’s stunning 8-16mm f/4.5 – f/5.6 DC HSM for similar results.

Art & Architecture

Urban spaces have great or at least interesting structures. Consider this interior view of the Crystal City metro station outside Washington, D.C. At 12mm the angle of view is close to 121º.

2790-001 ©2011Kevin Ames

This is the ceiling of the Orange County Convention Center in Orlando, Florida. Photos like this one find me lying on my back with the camera pointing straight up.

2790-002 ©2011Kevin Ames

Continuing the theme of shooting lying down, this kinetic art piece in the Hirshorn Sculpture Garden becomes more interesting thanks to the unique angle.

2790-003 ©2011Kevin Ames

Here’s another sculpture… a two story tall statue of Marilyn along with her admirers gathered around her ankles. It’s in Chicago, by the way.

2790-004 ©2011Kevin Ames

This lens is perfect when a tilt-shift isn’t available. This building portrait was made on a tripod. The camera is completely level. That’s to say that the sensor plane is parallel to face of the building. The lens is set at 19mm.

2790-005 ©2011Kevin Ames

Nightlife

The 12-24 works amazingly well in low light situations too. These performers at Nashville’s storied Stage on Broadway were so close I could have easily touched the guitar in the foreground.

2790-006 ©2011Kevin Ames

Tootsie’s is another Nashville nightspot that’s been going strong for over fifty years. I spotted this woman looking toward the back of the bar. I braced my elbows on the table, framed the shot, took a deep breath, let it halfway out and squeeeeeeezed the shutter to capture what a viewer would expect to experience on a visit.

2790-007 ©2011Kevin Ames

Angle of View

Reading tech specs from lens companies is all well and good if they mean something. I thought I’d close this blog with an example of what those twelve millimeters below the view 24mm brings to a scene. This is a Ford Tri-Motor airplane that hangs in the Air and Space Museum in D.C. 24mmm gives a good view of the three motors. 12mm shows the whole aircraft. All four images were made from the same position.

2790-008 ©2011Kevin Ames

In future posts here at Hunt’s I’ll share the rest of my walk about kit for urban photography.

 

Follow Kevin’s blog on www.kevinamesphotography.com

Article by Paul Nelson / Uncategorized / 5d MKII, Canon Cameras, sigma, Think Tank, wide angle lens 3 Comments

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